0:03
executive director said to me carol why
0:05
don't you start
0:06
music for minors in the east bay and i
0:09
started you know so
0:11
i guess it was within me the desire to
0:14
help children and my love of music see i
0:16
really believe when you have a passion
0:19
you should follow your passion and
0:21
probably then find a way to get paid for
0:23
it in some way
0:25
to survive but follow that passion and
0:28
so i modeled our program after the
0:31
mother organization
0:33
but i had to connect with ohlone college
0:35
to get the college credit so i had never
0:38
written an a non-profit status
0:41
application and oh my gosh i just did it
0:44
i don't know it was a power beyond me
0:47
that helped me to get through that
0:49
but i know
0:51
i was just driven by that desire
0:54
that children need music and they need
0:57
it in their classroom and their lives
1:00
especially when they're young like that
1:02
when they're the most susceptible
1:04
and that has been proven true
1:07
we've been doing this let's see that was
1:09
1988 when i started the organization
1:12
recruited parents got a board of
1:14
directors going and now we're in our
1:16
33rd year wow
1:20
so you think music has helped your
1:22
students who were going through reading
1:25
uh problems right they were not at the
1:27
level
1:28
but you were also saying that music has
1:31
helped other students also in your
1:34
non-profit
1:35
do you have any stories like you know
1:40
how do you think that music has actually
1:41
helped some of your students right
1:44
oh yes for sure and i really want to
1:47
shout these out because
1:49
to me it made the whole 33 years
1:52
when with these three these three cases
1:55
and who knows how much more because i've
1:58
run into students that were in the music
2:01
reminders 2 program and one's a high
2:03
school student she says you know mrs
2:04
zilley i was in my high school class and
2:06
the and the teacher asked if anybody
2:08
knew the preamble
2:10
to the constitution she says and i
2:11
recited it and he couldn't believe i
2:13
knew it from memory and it's because we
2:16
learned it
2:17
in music for writers to put to a song
2:20
and a rhythm pattern and you know you
2:23
you don't forget it
2:24
so anyway um you make it more
2:27
interesting by putting music to
2:28
something that's not so interesting
2:31
remember and it's it's using and music
2:34
gets into the brain and integrates the
2:37
brain both hemispheres and we did a lot
2:40
with sequencing and memory retention but
2:43
these three stories one happened in the
2:46
1990s in milpitas because
2:49
our program i started in fremont we are
2:51
now in newark unified fremont castro
2:54
valley unified we've been in for many
2:56
years and milpitas at that time and then
2:59
we
3:00
found out that they weren't wanted to
3:01
hire music specialists we do not
3:04
compete with music specialists we we
3:07
work hand in hand and we would therefore
3:10
go to schools that didn't have anything
3:12
we always target
3:14
children that don't have music and so
3:17
this one little girl was in the class
3:19
with one of our docents who was doing
3:21
the dance pat tapata
3:23
which is
3:24
so popular in africa and she
3:27
she started to cry
3:29
and the docent noticed it and then the
3:31
teacher came over and of course the
3:33
docent continued with the class
3:35
until it was over and then the children
3:37
went out to recess and she walked over
3:39
to the teacher and the child says oh i'm
3:41
so sorry are you sick or what happened
3:44
and the teacher said no no
3:46
she is really very happy because that
3:49
dance was danced in her homeland every
3:52
saturday night and when she came to this
3:54
country she thought she would never
3:56
dance it again
3:58
like connecting this child to her
4:01
country and you know something that she
4:03
really wanted to through right music is
4:06
all about making connections because
4:09
because it's shared with people and
4:12
there's always
4:13
emotions and feelings and
4:16
things that we can connect to and reach
4:18
the second one was in newark and that
4:21
was an autistic child who was in his
4:24
special day class and our music for
4:27
minors two docent was teaching a
4:28
kindergarten class and the special day
4:31
teacher thought you know let's let's put
4:33
him into that class and see how he does
4:35
with 23 or four or four other students
4:39
normally the class size is six or seven
4:41
you know for his special day
4:43
so he did and the docent was sharing
4:47
a rhythm pattern
4:50
and we usually clap tah for one beat and
4:53
tt if there's two short beats two half
4:56
beats in that one top and she put it to
4:59
a poem and she wrote on the board our
5:01
symbols for ta and tt
5:05
and it was really fun the kids loved it
5:07
he went back to his class
5:09
and walked right up to their white board
5:12
and started writing the ta's and the tt
5:16
and reciting the poem that he had just
5:19
learned
5:20
that made the teachers realize that he
5:22
can learn in a setting with larger
5:25
children
5:26
more children and so they they changed
5:29
his whole course of study started
5:31
mainstreaming him into other subject
5:33
areas and what a tremendous wow
5:37
improvement he made in the joy that he
5:39
had that the repetitive basically the
5:42
child needed some kind of repetitive
5:44
learning and that's what he learned from
5:47
your program such a simple way right
5:49
like what did
5:52
and the third one
5:54
story is about a little girl who never
5:56
spoke
5:57
she had come to i think it was vallejo
5:58
mill school she had come uh i don't know
6:02
too much about her background but all i
6:04
knew from the docent was she never spoke
6:06
but she would be there
6:08
sometimes she'd smile sometimes not
6:11
sometimes she would kind of use her arms
6:13
because we do a lot of sign language we
6:15
do a lot of gesturing because we want to
6:17
involve the whole person
6:19
and the fact that we are a musical
6:21
instrument our bodies can make music and
6:24
rhythm as well as our voices
6:26
so anyway several months i think it was
6:29
in the spring i don't know exactly the
6:31
date
6:32
but the first thing that little girl did
6:35
was to sing
6:37
not to speak
6:38
but to sing
6:40
so music can break through barriers
6:44
and
6:45
help
6:46
the brain
6:47
function better because it is integra
6:50
integrative i don't know if i said that
6:52
right
6:53
but it integrates both hemispheres
6:55
here's a visual that will prove it this
6:57
is the left side of our brain and the
6:59
right side brain scans are seen
7:03
when an individual is walking and
7:05
talking and eating and this is what
7:06
their brain looks like
7:08
and the minute that person experiences
7:11
music
7:12
this is what the brain looks like you
7:14
mean music builds neuron bridges and
7:16
connects both hemispheres of the brain
7:18
and the brain is working at fuller
7:20
capacity yes well how can we afford not
7:24
to have it
7:25
in the schools in in not only children's
7:28
lives in our lives that's what i was
7:30
going to ask you when are you starting
7:32
music for adults
7:35
with your passion and all the stories i
7:37
think i want to be
7:39
involved in learning music i've never
7:41
learned music we have thought about
7:43
music for seniors yeah
7:46
and when we have time
7:48
we gotta pursue that uh because
7:51
you know that's what is needed
8:00
you